Zora Neale Hurston Digital Archive

Secondary Bibliography

The secondary bibliography we provide here is derived from the Modern Language Association Bibliography and other sources and aims to identify the most recent books, essay collections, and journal articles published on Hurston in the last ten years. It is continuously updated and supplemented by a list of dissertations also completed in the last five years.

2023

Ahmed, Abrar, et al. “Identity Formation: A Study of Conventional Marriages and Structure of African American Families in Their Eyes Were Watching God and Passing.” Pakistan Journal of Humanities and Social Sciences 11.1, 613-623.
Freeman Marshall, Jennifer L “Ain't I an Anthropologist”: Zora Neale Hurston Beyond the Literary Icon. U Illinois Press.
Green, Sharony. “Zora Neale Hurston in Honduras.” Alabama Heritage 148, 36.
Giuffre, Katherine. “No Theme, No Message, No Thought": Zora Neale Hurston’s Their Eyes Were Watching God.” Outrage: The Arts and Creation of Modernity. Stanford U P.
Jelks, Randal Maurice. “Joy of the Black South: Zora Neale Hurston and the Politics of Black Joy—A Review Essay.” The Langston Hughes Review 29.1, 91-101.
Munger, Megan. “An Aftershock of American Slavery: Violence Against Black Women in Toni Morrison's Beloved, Zora Neale Hurston's Their Eyes Were Watching God, and Alice Walker's The Color Purple. The Midwest Quarterly (Pittsburg) 64.2, 200-136.
Raynaud, Claudine. "’Characteristics of Negro Expression’: Translating the Language of Zora Neale Hurston.” Revue française d'études américaines 174, 104-121.

2022

Alali, Salam. “Zora Neale Hurston’s Controversial Relation to the Harlem Renaissance.” International Journal of Language and Literary Studies 4.3, 260-276.
Alperovich, Dalit, et al. “African American Culture, Anthropological Practices, and the Jewish Race in Zora Neale Hurston’s Mules and Men.” Race, Color, Identity p.112-128.
Bailey, Constance. “Signifying Sistas: Black Women’s Humor and Intersectional Poetics.” Meridians (Middletown, Conn.) 21.1, 185-205.
Bernard, Emily. “’All That She Was’: The Problem of Zora Neale Hurston.” The Virginia Quarterly Review 98.1, 146-151.
Brooks, Daphne. “Sonic Zora in Florida.” Southern Spaces.
Burr, Sandra, et al. “Plantationocene: Spotlight on Zora Neale Hurston.” The Routledge Companion to Literature of the U.S. South, 341-345.
Caputi, Jane. “’The Cosmic Zora’: Reading Zora Neale Hurston through Her Cosmology.” Journal of American Culture (Malden, Mass.) 45.3, 260-273.
Clifton, Devon Epiphany. “Rededication: Hurston, Black Object Thinking, and ‘the black feminist critical enterprise.’” Journal of American Culture (Malden, Mass.) 45.3, 247-259.
Downey, Dara, et al. “Troubling Legacies: African American Women’s Gothic from Zora Neale Hurston to Tananarive Due.” Twentieth-Century Gothic, p. 228-242.
Elborough, Travis. “Jamaica and Haiti Cast a Spell on Zora Neale Hurston.” The Writer's Journey: In the Footsteps of the Literary Greats (Journeys of Note). White Lion Publishing.
Field, Douglas. “’I am not tragically colored’: Essays by a Leading Light of the Harlem Renaissance.” TLS. Times Literary Supplement, 6210, 13.
Humes, Holly Blackford. “Isis as Little Red Riding Hood: Illuminating Zora Neale Hurston’s ‘Drenched in Light.’” College Literature 49.3, 400-420.
Irfan, Anne. “Barracoon: The Story of the Last Slave. By Zora Neale Hurston.” Journal of Refugee Studies 35.3, 1410-1413.
Irvine, Janice M. “Zora’s Florida: Ethnographic Explorations of Zora Neale Hurston.” Marginal People in Deviant Places: Ethnography, Difference, and the Challenge to Scientific Racism. U Michigan P.
Jarrett, Gene Andrew. “Zora Neale Hurston (1891–1960).” African American Literature Beyond Race: An Alternative Reader. NYU Press, p.256-274.
Jordan, Jerrica. “Sexual Abuse of Black Women in the Works of Zora Neale Hurston.” Journal of American Culture (Malden, Mass.) 45.3, 298-308.
Kastleman, Rebecca R. “Staging Hurston's Heaven: Ethnographic Performance from the Pulpit to the Pews.” Theatre Survey 63.2, 138-159.
Konzett, Delia Malia. “Black and Blue in Florida: Moonlight's Poetics of Space and Identity.” Quarterly Review of Film and Video 39.7, 1515-1535.
Kravagna, Christian. “Trees of Knowledge: Anthropology, Art, and Politics. Melville J. Herskovits and Zora Neale Hurston—Harlem circa 1930.” Transmodern, p. 107.
Kumar, Vasantha , et al. “Communal Relationships: African-Americans’ Survival of Power is Deep-Rooted in Zora Neale Hurston’s Jonah Gourd Vine." Journal of English Language Teaching, Linguistics, and Literature 2.1.
McCutcheon, Camille. “A Selective Bibliography on Zora Neale Hurston.” Journal of American Culture (Malden, Mass.) 45.3, 309-326.
McDonald, Jordan Taliha. “Catchin’ Strays: On Pet Negroes, the Black Domestic, and the Politics of Comfort.” Southern Cultures 28.4, 74-87.
Milne, Leah Abuan. “Jagged Harmonies of Knowledge and Black Representation in Hurston's Essays.” Journal of American Culture (Malden, Mass.), 45.3, 287-297.
Mormino, Gary R. “The Ponzi State: Zombie Homes and Ghost Towers, Schemers and Adverse Possessors.” Dreams in the New Century: Instant Cities, Shattered Hopes, and Florida’s Turning Point, 328.
Mouton Kinyon, Chanté. “Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture.” Modern Drama 65.4, 499-521.
Nayar, Sheila J. “Descendant.” Journal of Religion and Film 26.1, A-4.
Pasqualina, Stephen. “’Such a Tangible Thing’: Zora Neale Hurston’s Unruly Stones of Memory.” Journal of American Culture (Malden, Mass.) 45.3, 274-286.
Plant, Deborah G. Review of The Politics of Black Joy: Zora Neale Hurston and Neo-abolitionism by Lindsey Stewart. American Political Thought 11.3, 409-412.
Pollak, Alec. “Toni Morrison's Their Eyes Were Watching God." Melus 47.1, 107-129.
Rambsy, Kenton. “Writing the South: Charles Chesnutt, Zora Neale Hurston, and Richard Wright.” The Geographies of African American Short Fiction, UP Mississippi, 40.
Redling, Erik, et al. “Zora Neale Hurston (1891–1960).” Handbook of the American Short Story 15, 319-342.
Root, Damon. “Zora Neale Hurston's Inconvenient Individualism: The Author of Their Eyes Were Watching God Defies East Political Categorization.” Reason 54.2, 52-55.
Sandefur, Timothy. “Singing a Song to the Morning. National Review 74.3, 39.
Seymour, Gene. “Sharpening Her Oyster Knife: The ferociously independent Zora Neale Hurston.” Bookforum 29.1.
Sorensen, Jennifer. “The Politics of the Page: Recontextualizing Willa Cather, Zora Neale Hurston, Gwendolyn Brooks, and Una Marson." Textual Cultures: Text, Contexts, Interpretation 15.2, 56-88.
Vincent, Renee. “Fugitive Knowledge and Body Autonomy in the Folklore and Literature of Zora Neale Hurston and Gloria Naylor.” Journal of Feminist Scholarship, 21-29.
Weir, Rebecca Nicholson. “Dancing and Singing Steel: Zora Neale Hurston in Chicago. Feminist Modernist Studies 5.3, 298-313.
Weekley, Ayana K. , et al. “Revisiting Zora Neale Hurston: Introduction.” Journal of American Culture (Malden, Mass.), 45.3, 239-240.
Young, Jason R. “The Last African: Zora Neale Hurston and the Making of Africa in America.” Palimpsest (Albany, N.Y.) 11.2, 51-79.
Zeneidi, Djemila. “’We ain’t nothing but white trash’: The Ethnography of Poor Whites and the Politics of Stigma in Zora Neale Hurston’s Seraph on the Suwanee. Cultural Dynamics 34. 1-2, 45-62.

2021

Aftab, Rizwan, et al. “Semantic Set of N-Word Choices in Afro-American Fiction: A Corpus Analysis of Hurston's Their Eyes Were Watching God.” Global Social Sciences Review 6.1, 65-72.
Charles, Julia S. “Fraternal Fractures: Marriage, Masculinity, and Malicious Menfolk in Zora Neale Hurston's "Sweat" and "Magnolia Flower." Women's Studies 50.1, 48-60.
Cohen, J. Laurence. “Moses vs. the Masses: Alain Locke, Aesthetic Uplift, and Zora Neale Hurston.” Excavating Exodus, 87.
Glover, Eric M. “Joy and Love in Zora Neale Hurston and Dorothy Waring’s 1944 Black Feminist Musical Polk County.” TDR : Drama Review 65.2, 45-62.
Kucik, Emanuela Kucik, et al. “(Re-)Framing Black Women’s Liberation in the Classroom: Nella Larsen, Zora Neale Hurston, and Twenty-First-Century Editorial Frameworks.” In Editing the Harlem Renaissance, 185.
Powell, Katrina M. “Zora Neale Hurston’s Craft and a Griot’s Refusal to Conform.” In Performing Autobiography, Springer, 43-69.
Stewart, Lindsey. The Politics of Black Joy: Zora Neale Hurston and Neo-abolitionism. Evanston, IL: Northwestern U P.
Țăranu, Ana. “Signifying the Self: Cultural Trauma and Mechanisms of Memorialization in Zora Neale Hurston’s Their Eyes Were Watching God.” Metacritic Journal for Comparative Studies and Theory, 7.1, 190-204.

2020

Albano, Alessandra. “Nature and Black Femininity in Hurston’s Their Eyes Were Watching God and Tell My Horse. Journal of African American Studies (New Brunswick, N.J.) 24.1, 23-36.
Abramowitz, Sophie. “’Trained and Taught This Song by Zora Hurston’: Dramatic Ethnography and Zora Neale Hurston's The Great Day.” American Quarterly 72.4, 881.
Ellis, Juniper. “Laughter's Truths: Hurston, Ellison, and Open-Ended Dialogue.” Studies in American Humor 6.1, 91-109.
Garrett, Daniel. “Suffer the Children: African American Family, Culture and History," Interpreted by Toni Morrison, Jonathan Demme, Zora Neale Hurston, Kathleen Collins and Ralph Ellison.  Film International (Enskede, Sweden) 18.2 [92], 26-71.
Gottlieb, Madeline. “Interlaced Maternity and Matrimony in Zora Neale Hurston's Their Eyes Were Watching God.” The Explicator 78.2, 99-103.
Li, Stephanie. Zora Neale Hurston: A Life in American History. ABC-CLIO, 2020.
Meterc, Petra. “Life, Death and the Resurrection of the Harlem Renaissance Femme Terrible.” Maska 35 (200), 86-93.
Sandefur, Timothy. “Zora Neale Hurston, Undefeated.”  Objective Standard: A Journal of Culture & Politics 15.1, 37-64.
Senehi, Jessica. “Transcultural Storytelling.” Storytelling, Self, Society 16.1, 3-32.
Stewart, Lindsey. “’Tell ’Em Boy Bye’: Zora Neale Hurston and the Importance of Refusal.” Signs: Journal of Women in Culture and Society 46.1, 57-77.
Stone, Leonard. “African American Consciousness.” Journal of African American Studies (New Brunswick, N.J.) 24.1, 96-115.
Yan, Liping. “An Analysis of Hurston's Consistency with Her Original Aspiration and Mission in Seraph on the Suwanee.” Theory and Practice in Language Studies 10.11, 1420.

2019

Ahmed, Juned and Glory, A. “Zora Neale Hurston’s Their Eyes Were Watching God: A Quest for Love and Independence.” Language in India 19.6, 144-50.
Araujo, Ana Lucia. “Zora Neale Hurston and a Former Slave from Africa. Journal of African History 60.2, 297-99.
Bolles, Lynn. “Barraccoon: The Story of the Last ‘Black Cargo.’” Journal of the Anthropology of North America 22.1, 43-44.
Cothren, Claire. “Aesthetics of Whiteness: Racial Hierarchies in Fitzgerald, Hurston, and Beyond.” English Journal 108.4, 36-42.
Di Cola, Joseph M. “Clotilda’s Last Survivor.” Archaeology 72.6, 8.
Johnson, Nicole M. Morris. “Janie’s Gullah/Geechee Seeking Journey in Their Eyes Were Watching God.” South Atlantic Review 84.1, 72-91.
Morrell, Sascha. “’There is No Female Word for Busha in These Parts’: Zora Neale Hurston, Katherine Dunham and Women’s Experience in 1930s Haiti and Jamaica. Australian Humanities Review 64, 158-76.

2018

Anitha, R. “Familial Relationships: Healing the Impact of Separation in Zora Neale Hurston’s Jonah’s Gourd Vine.” Language in India, 18.8, 41-48.
Beasley, Myron M. “Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting.” In Digital Sound Studies. Chapel Hill, NC: Duke UP, 298.
Brown, Adrienne. “Hard Romping: Zora Neale Hurston, White Women, and the Right to Play." Twentieth-Century Literature 64.3, 295-316.
Cornog, Martha. “Fire!!: The Zora Neale Hurston Story.” Library Journal 143.1, 87.
Marin Calderon, Norman. “Afrocentrism, Gaze and Visual Experience in Zora Neale Hurston’s Their Eyes Were Watching God.” Káñina (Universidad de Costa Rica) 42.1, 261-69.
French, Scot. “Social Preservation and Moral Capitalism in the Historic Black Township of Eatonville, Florida: A Case Study of ‘Reverse Gentrification.’” Change Over Time 8.1, 54-72.
Grady, Kyle. “Zora Neale Hurston and Humoral Theory: Comparing Racial Concepts from Early Modern England and Post-Abolition America.” Shakespeare Studies (0582-9399) 46, 144-49.
Hashemi, Mahsa. “’A Bee for Her Bloom’: Their Eyes Were Watching God, A Narrative of Subversion and Dominance.” Studia Universitatis Petru Maior— Philologia. Issue 25, 133-43.
Hyest, Jenny. “’Born with God in the House’: Feminist Vision and Religious Revision in the Works of Zora Neale Hurston.” Legacy: A Journal of American Women Writers 35.1, 25-47.
Lionnet, Françoise. "Part II. Creating a Tradition" Autobiographical Voices. Ithaca, NY: Cornell UP, 91-244.
Maner, Sequoia. “’Where Do You Go When You Go Quiet?’: The Ethics of Interiority in the Fiction of Zora Neale Hurston, Alice Walker, and Beyoncé.” Meridians: feminism, race, transnationalism 17.1, 184-204.
Phipps, Gregory. “’It Takes Its Shape from de Shore It Meets’: Creative Democracy and the Pragmatic Experience of Love in Zora Neale Hurston’s Their Eyes Were Watching God.” Melus 43.1, 159-82.
Shanmugiah Karmegavannan, Alagi. “Emergence of New African-American Woman: A Study of Zora Neale Hurston’s Their Eyes Were Watching God.” Language in India, 18.3, 531-39.
Zeppenfeld, Julia. “Zora Neale Hurston’s Moses, Man of the Mountain: Rewriting the Biblical Exodus Narrative from an African American Perspective.” AAA: Arbeiten Aus Anglistik Und Amerikanistik 43.1, 45–62.

2017

Altindis, Hüseyin. “‘Dialogic Text’: Metaphors in Their Eyes Were Watching God.” Journal of Faculty of Letters / Edebiyat Fakultesi Dergisi 34:1, 27-37.
Ashland, Alexander. “Off the Grid: Zora Neale Hurston’s Racial Geography in Their Eyes Were Watching God.” Iowa Journal of Cultural Studies 17:1, 76-90.
Cooper, Melissa L. “The 1920s and 1930s Voodoo Craze: African Survivals in American Popular Culture and the Ivory Tower.” In Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination. Chapel Hill, NC: U North Carolina P, 2017.
Cornog, Martha. ”Fire!! The Zora Neale Hurston Story.” Library Journal 142:6, 66.
Dee Das, Joanna. “Finding a Politics of Diaspora in the Caribbean.” In Katherine Dunham: Dance and the African Diaspora. Oxford: Oxford UP, 2017.
Durkin, Hannah. “Zora Neale Hurston’s Visual and Textual Portrait of Middle Passage Survivor, Oluale Kossola/Cudjo Lewis.” Slavery and Abolition 38:3, 601-19.
Ghani, Hana K. and Istbriq T. Joody. “The Problem of Being Black in Zora Neale Hurston’s Color Struck.” Rupkatha Journal on Interdisciplinary Studies in Humanities 9:1, 121-132.
Hoffman, Amy. “Editor’s Note.” Women’s Review of Books 34:2, 2.
Hurston, Zora Neale. “Zora Neale Hurston’s Letter to Countee Cullen (1943).” In Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection: Progressive Era through World War II. Gale Virtual Reference Library, 240-241.
Kendi, Ibram X. “Rights, Wrongs and Roots.” The New York Times Book Review Feb 26, 2017, 16.
Kibbee, Brendan. “Black Labor and the Deep South in Hurston’s The Great Day and Ellington’s Black, Brown, and Beige.” Current Musicology Issue 101, 81-98
Marcucci, Olivia. “Zora Neale Hurston and the Brown Debate: Race, Class, and the Progressive Empire.” The Journal of Negro Education 86(1), 13-24.
Moore, Geneva Cobb. Maternal Metaphors of Power in African American Women’s Literature: From Phillis Wheatley to Toni Morrison. Columbia, SC: U South Carolina P, 2017.
Mormino, Gary R. “A Remarkable War Letter.” Tampa Bay Times (St. Petersburg, FL). March 19, 2017, 1.
Önder, Dilek. “Zora Neale Hurston, ‘The Bone Collector’ of the Harlem Renaissance: The Horizon Built on Bones.” International Journal of Arts and Sciences 9:4, 119-130.
Parry, Sally E. “Fiction: 1900 to the 1930s.” American Literary Scholarship, 2017 2015:1, 235-255.
Weir-Soley, Donna Aza. Eroticism, Spirituality, and Resistance in Black Women’s Writings. Gainesville, FL: UP of Florida, 2017.

2016

Austin, Derrick. “At the Grave of Zora Neale Hurston.” Nimrod International Journal 59: 2, 149.
Bailey, Amanda. “Necessary Narration in Their Eyes Were Watching God.” Comparatist 40, 319-337.
Baker, Houston A. “Intuiting Archive: Notes for a Post-Trauma Poetics.” African American Review 49: 1, 1-4.
Beliso-De Jesus, Aisha Mahina. “A Hieroglyphics of Zora Neale Hurston.” Journal of Africana Religions 4:2, 290-303.
Burnett, Diana. “Illuminating the Legacy of Zora Neale Hurston: Visionary, Architect, and Anthropologist of Africana Religious Subjectivities.” Journal of Africana Religions 4:2, 255-266.
Byrne, Cara. “Every Tongue Silenced So One Voice Resounds: Redefining Zora Neale Hurston’s Legacy in Adapted Picture Books.” Children’s Literature Association Quarterly 41:4, 365-383.
Cameron, Chris 4:2, 236-244.
Cooper, Harriss M. “Preacherly Texts: Zora Neale Hurston and the Homiletics of Literature.” Journal of Africana Religions 4:2, 278-290.
Cucarella-Ramon, Vicent. “The Aesthetics of Healing in the Sacredness of the African American Female’s Bible: Zora Neale Hurston’s Moses, Man of the Mountain.” Revista Alicantina de Estudios Ingleses 29, 69-90.
DiEdwardo, Maryann P. “’Black Death,’ by Zora Neale Hurston (Ethnographer), and ’Unassigned Territory,’ by Stephanie Powell Watts (Literary Fiction Writer).” In American Women Writers, Poetics, and the Nature of Gender Study. Newcastle upon Tyne, England: Cambridge Scholars, 2016. 17-25.
Flowers, William Darsey. “Trains as a Metaphor for John’s Sexuality in Jonah’s Gourd Vine.” Explicator 74:2, 114-116.
Gibson, Gloria J. “Cinematic Foremothers: Zora Neale Hurston and Eloyce King Patrick Gist.” In Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Ed. Pearl Bowser, Jane Gaines, and Charles Musser. Bloomington, IN: Indiana UP, 2016. 195-210.
Guillory, Margarita Simon. “Gnostic and Countercultural Elements in Zora Neale Hurston’s ‘Hoodoo in America.’” Gnosis: Journal of Gnostic Studies 1: 1-2, 310-327.
Hajjari, Leila, Hossein Aliakbari Harehdasht, and Parvin Ghasemi. “The Legacy of Romanticism: the Pear Tree and Janie Crawford in Zora Neale Hurston’s Their Eyes Were Watching God.” Journal of African American Studies 20:1, 35-52.
Harvey, Marcus. “‘Hard Skies’ and Bottomless Questions: Zora Neale Hurston’s Their Eyes Were Watching God and Epistemological ‘Opacity’ in Black Religious Experience.” Journal of Africana Religions 4:2, 186-214.
Heady, Margaret. “Vaudou and the Marine: Jacques-Stéphen Alexis and Zora Neale Hurston on the American Occupation of Haiti.” Atlantic Studies: Literary, Cultural, and Historical Perspectives 13:2, 282-300.
Hembrough, Tara. ”Writing as an Act of Self-Embodiment: Hurston, Moody, and Angelou Combat Systemic Racial and Sexual Oppression.” Journal of African American Studies 20:2, 164-182.
Jenkins, Tammie. “Writing Vodou into Literature: Exploring Diasporic Religious Symbols and Lore in Zora Neale Hurston’s ‘Sweat’ and Jonah’s Gourd Vine.” Journal of Africana Religions 4:2, 215-224.
Jones, Jill C. “Taking the Axe to Babylon: Zora Neale Hurston’s ‘Lost’ Caroline Stories, Gender, Place, and Power.” Mississippi Quarterly 69.4, 481-499.
Lavender, Isiah, III. “An Afrofuturist Reading of Zora Neale Hurston’s Their Eyes Were Watching God.” Lit: Literature Interpretation Theory 27: 3-4, 213-233.
Lowe, John W. Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature. Chapel Hill, NC: U North Carolina P, 2016.
——. “A Proper Order of Attention: McKay and Hurston Honor the Hardy Peasant.” In Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature. Chapel Hill, NC: U North Carolina P, 2016.
Manigault-Bryant, James A and Lerhonda S. Manigault-Bryant. “Conjuring Pasts and Ethnographic Presents in Zora Neale Hurston’s Modernity.” Journal of Africana Religions 4:2, 225-235.
M’Baye, Babacar. “The Significance of John S. Mbiti’s Works in the Study of Pan-African Literature.” Journal of Traditions and Beliefs 2.
McKinley, Eric Melton. “Congo Gods by Christian Names: Hurston’s Prayer-Speech as Cultural Inheritance.” Journal of Africana Religions 4:2, 245-253.
Mhishi, Tanaka. “Every Man’s Wish: A Black Boy Reads Zora Neale Hurston’s Their Eyes Were Watching God.” First Line 18:3, 51-53.
Middleton, Billy. “Two-Headed Medicine: Hoodoo Workers, Conjure Doctors, and Zora Neale Hurston.” Southern Quarterly 53: 3-4, 156-175.
Miller, Elise. “Mourning and Melancholy: Literary Criticism by African American Women.” Tulsa Studies in Women’s Literature 35:2, 463-489.
Pike, Nancy. “Florida Memories.” Florida Libraries 59:1, 14-15.
Rambsy, Kenton. ”Text-Mining Short Fiction by Zora Neale Hurston and Richard Wright Using Voyant Tools.” CLA Journal 59:3, 251-258.
Schroder, Anne. “Voodoo and Conjure as Gothic Realism.” In The Palgrave Handbook of the Southern Gothic. Eds. Street, Susan Castillo and Charles L. Crow. London, England: Palgrave Macmillan, 421-431.
Sollors, Werner. African American Writing: A Literary Approach. Philadelphia, PA: Temple UP, 2016.
Sorett, Josef. “Ancestral Spirits.” In Spirit in the Dark: A Religious History of Racial Aesthetics. Oxford: Oxford UP, 2016.
Sparkes, Hilary. ”Pioneers in the Realms of Spirits: A Comparison of Zora Neale Hurston’s and Martha Warren Beckwith’s Writings on African Caribbean Folk Religions.” Journal of Africana Religions 4:2, 266-277.
Stewart, Catherine A. ”Conjure Queen: Zora Neale Hurston and Black Folk Culture.” In Long Past Slavery: Representing Race in the Federal Writers’ Project. Chapel Hill, NC: U North Carolina Press 2016, 143-174.
——. “Follow Me through Florida: Florida’s Negro Writers’ Unit, the Ex-Slave Project, and The Florida Negro.” In Long Past Slavery: Representing Race in the Federal Writers’ Project. Chapel Hill, NC: U North Carolina P, 2016.
——. “Long Past Slavery: Representing Race in the Federal Writers’ Project.” In Long Past Slavery: Representing Race in the Federal Writers’ Project. Chapel Hill, NC: U North Carolina P, 2016.
Stringer, Dorothy. ”Scripture, Psyche, and Women in Zora Neale Hurston’s Moses, Man of the Mountain.” Palimpsest: A Journal of Women, Gender, and the Black International 5:2, 182-201.
Wingard, Leslie. “Laying Down the Rails: Sacred and Secular Groundwork in Zora Neale Hurston’s Jonah’s Gourd Vine and King Vidor’s Hallelujah. South: A Scholarly Journal 49:1, 122-142.
“Zora Neale Hurston House (Fort Pierce, Florida).” In Historic Sites and Landmarks That Shaped America: From Acoma Pueblo to Ground Zero: N-Z, 599-600. Gale Virtual Reference Library.

2015

Diamond, Elin. “Folk Modernism: Zora Neale Hurston’s Gestural Drama.” Modern Drama58:1, 112-134.
Christian, Shawn Anthony. “Mule Bone 2.0.” Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 15:2, 362-365.
Penier, Izabella. “Zora Neale Hurston’s Creative Collaborations: The New Negro, the New Theatre and New Anthropology.” In Muses, Mistresses and Mates: Creative Collaborations in Literature, Art and Life. Eds. Izabella Penier and Anna Suwalska-Kołecka. Newcastle upon Tyne, England: Cambridge Scholars, 2015. 154-170.
Russell, Danielle. “’You Heard Her, You Ain’t Blind’: The ‘Haunting’ Presence of Their Eyes Were Watching God.” In Neil Gaiman in the 21st Century: Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Ed. Tara Prescott. Jefferson, NC: McFarland, 2015. 52-64.

2014

Ayorinde, Christine. “Zora Neale Hurston.” Salem Press Biographical Encyclopedia.
Carlson, Amanda B. and Robin Poyner, eds. Africa in Florida: Five Hundred Years of African Presence in the Sunshine State. Gainesville: UP Florida, 2014.
Davis, Amber. Rev. of Zora Neale Hurston, Haiti, and Their Eyes Were Watching God” (2013). By L.V.D. Jennings. Journal of Women and Social Work 29:4, 512-513.
Ewing, Adam. “Lying Up a Nation: Zora Neale Hurston and the Local Uses of Diaspora.” Callaloo: A Journal of African Diaspora Arts and Letters 37: 1, 130-147.
Hill, Lena M. Visualizing Blackness and the Creation of the African American Literary Tradition. NY: Cambridge UP, 2014.
McClenagan, Cindy Marlow. “Picture Stories in Zora Neale Hurston’s Their Eyes Were Watching God.” CCTE Studies 79, 24-28.
Mickelsen, Anna. Rev. of Their Eyes Were Watching God. Library Journal 139: 13, 41.
Pietka, Rachel. “There is No Me Like My Statue: Life and Text in Zora Neale Hurston’s Dust Tracks on a Road.” Pacific Coast Philology 49: 1, 99-111.
Rider, Janine. “Their Eyes Were Watching God.” Salem Press Encyclopedia of Literature.
Salamone, Frank A. “His Eyes Were Watching Her: Papa Franz Boas, Zora Neale Hurston, and Anthropology.” Anthropos (Sankt Augustin, Germany) 109: 1, 217-24.
Schmidt, Amy. “Horses Chomping at the Global Bit: Ideology, Systemic Injustice, and Resistance in Zora Neale Hurston’s Tell My Horse.” Southern Literary Journal 46:2, 173-192.
Stuelke, Patricia. “’Times When Greater Disciplines Are Born’: The Zora Neale Hurston Revival and the Neoliberal Transformation of the Caribbean.” American Literature 86: 1, 117-145.
Volpi, Serena. “’She called in her soul to come and see’: Representations of Ageing in Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple.” EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work 11, 7-23.
West, Margaret Genevieve. “’Youse in New Yawk’: The Gender Politics of Zora Neale Hurston’s ‘Lost’ Caroline Stories.” African American Review 47:4, 477-493.
Zora Neale Hurston: Jump at the Sun. San Francisco: Kanopy Streaming, 2014. Video Recording.

2013

Casas Maroto, Inés. “‘So this was a marriage’: Intersections of Natural Imagery and the Semiotics of Space in Zora Neale Hurston’s Their Eyes Were Watching God.” Journal of English Studies 11, 69-82.
Davis, Cynthia, and Verner D. Mitchell, eds. Zora Neale Hurston: An Annotated Bibliography. Lanham, MD: Scarecrow, 2013.
Demény, Tamás. “The Silent Mothers of Richard Wright and Zora Neale Hurston.” In Reverberations of Silence: Silenced Texts, Sub-Texts and Authors in Literature, Language and Translation. Eds. Márta Pellérdi and Gabriella Reuss. Newcastle upon Tyne, England: Cambridge Scholars, 2013. 111-30.
Evans, Robert. C. “Mrs. Turpin and Mrs. Turner: Foolish Pride in Flannery O’Connor’s ‘Revelation’ and Zora Neale Hurston’s Their Eyes Were Watching God.” In Zora Neale Hurston. Ed. Sharon L. Jones. Ipswich, MA: Salem, 2013. 64-80.
Hardison, Ayesha K. “Crossing the Threshold: Zora Neale Hurston, Racial Performance, and Seraph on the Suwanee.” African American Review 46: 2-3, 217-235.
Lawless, Elaine J. “What Zora Knew: A Crossroads, a Bargain with the Devil, and a Late Witness.” Journal of American Folklore 126 (500), 152-73.
Pattison, Dale. “Sites of Resistance: The Subversive Spaces of Their Eyes Were Watching Men.” MELUS 38: 4, 9-31.
Pettinger, Alasdair. “‘Tire Trouble’: Mules and Men and Automobiles.” Studies in Travel Writing 17:2, 174-187.
Roberts, Brian Russell. “Archipelagic Diaspora, Geographical Form, and Hurston’s Their Eyes Were Watching God.” American Literature: A Journal of Literary History, Criticism, and Bibliography 85: 1, 121-149.
Wagers, Kelley. “’How Come You Ain’t Got It?’: Dislocation as Historical Act in Hurston’s Documentary Texts.” African American Review 46:2-3, 201-216.
Watanabe, Nancy Ann. “Zora Neale Hurston’s Vodun—Christianity Juxtaposition: Theological Pluralism in Their Eyes Were Watching God.” In Zora Neale Hurston, Haiti, and Their Eyes Were Watching God. Ed. La Vinia Delois Jennings. Evanston, IL: Northwestern UP, 2013. 237-253.

2012

Ibarrola-Armendáriz, Aitor. “What Hidden Attitudes Do Hurricanes Unleash? Reconsidering Gender, Class and Racial Issues in Zora Neale Hurston’s Their Eyes Were Watching God.” ES: Revista de Filología Inglesa 33, 143-60.
Katz, Marco. “Sounds from Nowhere: Musical Protagonists by Alejo Carpentier and Zora Neale Hurston.” Comparative American Studies. 10: 1, 30-44.
Obourn, Megan. “Early Civil Rights ‘Voice Work’ in Richard Wright and Zora Neale Hurston.” Twentieth Century Literature 58.2, 238-66.
Peoples, T. "Meditation and Artistry in The Bluest Eye by Toni Morrison and Their Eyes Were Watching God by Zora Neale Hurston." Midwest Quarterly: A Journal of Contemporary Thought. 53:2, 177+
Selassie, K. Zauditu. “Step and Fetch It: Zora Neale Hurston’s Reclamation of African Ontology in Their Eyes Were Watching God.” CLA Journal 56:2, 149-169.
Stuelke, Patricia. “Finding Haiti, Finding History in Zora Neale Hurston’s Their Eyes Were Watching God.” Modernism/Modernity 19.4, 755-74.
Washington, Teresa N. "Mules and Men and Messiahs: Continuity in Yoruba Divination verses and African American Folktales." Journal of American Folklore. 125: 497, 263-85.

2011

Azizmohammadi, Fatemeh and Nasser Mahmoud. "Familial Characterization in Zora Neale Hurston’s ’Spunk.’" International Proceedings of Economics Development and Research. 26, 148-153.
Babb, Valerie. “Wright, Hurston, and the Direction of the African American Novel.” In The Cambridge History of the American Novel. Eds. Leonard Cassuto, Clare Virginia Eby, and Benjamin Reiss. Cambridge, England: Cambridge UP, 2011. 700-717.
Beauchamp, Goram. "Zora Neale Hurston’s Other Eatonville." Texas Review. 32: 3-4, 75-87.
Carpio, Glenda. "The Newly Complicated Zora Neale Hurston." Chronicle of Higher Education. 57:18: B6-B10.
Doyle, Laura. “Atlantic Modernism at the Crossing: The Migrant Labours of Hurston, McKay and the Diasporic Text.” In Modernism and Race. Ed. Len Platt. Cambridge, England: Cambridge UP, 116-136.
Farebrother, Rachel. "’The rhythm of segments’: Zora Neale Hurston’s Collage Aesthetic in Mules and Men." Women. 22: 4, 328-44.
Gaal-Szabo, Peter. "Zora Neale Hurston’s Cultural Space and African-American Spatiality." Hungarian Journal of English and American Studies. 17: 1, 85-96.
Goeller, Alison D. “Zora on the Mountain: Zora Neale Hurston’s Artistic Exodus in Moses, Man of the Mountain. In Western Fictions, Black Realities: Meanings of Blackness and Modernities. Eds. Isabel Soto and Violet Showers Johnson. East Lansing, MI: Michigan State UP, 2011. 199-209.
Howarth, John. “Their Eyes Were Watching God: Janie Crawford and the Attainment of Individuality.” Illuminazioni 16, 3-12.
Humphries, David T. "Where ’Death and the Graveyard Are Final’: The Shifting Boundaries of Authority in Zora Neale Hurston’s Tell My Horse." Interdisciplinary Literary Studies: A Journal of Criticism and Theory. 12: 2, 32-51.
Hurston, Zora Neale. "From Herod the Great." Callaloo. 34: 1, 121-25.
Kowal, Rebekah J. Book review of Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Dance Research Journal. 43: 1. 103.
Lackey, Michael. "Zora Neale Hurston’s Herod the Great: A Study of the Theological Origins of Modernist Anti-Semitism." Callaloo 34.1, 100-120.
Mehring, Frank. "Performing Anthropological Authenticity: Ethnic Identity Politics from Minstrel Realism to Zora Neale Hurston’s Transatlantic Blues." In Cornbread and Cuchifritos: Ethnic Identity Politics, Transnationalization, and Transculturation in American Urban Popular Music. Ed. Wilfried Raussert. Trier, Germany: Wissenschaftlicher Verlag Trier (WVT), 2011. 229-52.
Moylan, Virginia Lynn. Zora Neale Hurston’s Last Decade. Gainesville: U Florida Press, 2011.
Phelan, James. "Voice, Politics, and Judgments in Their Eyes Were Watching God: The Initiation, the Launch, and the Debate about the Narration." In Analyzing World Fiction: New Horizons in Narrative Theory. Ed. Frederick Luis Aldama. Austin, TX: U Texas Press, 2011. 57-73.
Santi, Behlor Bernice. "Celebrating the Independent Spirit of Zora Neale Hurston." Writer 124: 2, 8-9.
Trubek, Anne. "Zora’s Place." Humanities. 32:6, 38-42.
Turcotte, Florence. Review of Crossing the Creek: The Literary Friendship of Zora Neale Hurston and Marjorie Kinnan Rawlings. Twentieth Century Literature. 57: 2, 272-76.
Weitzman, Marla L. "Understanding Janie: From ’The Bone of Contention’ to Their Eyes Were Watching God." Studies in American Humor. 3: 24, 59-69.
Yitah, Helen. “Rethinking the African American Great Migration Narrative: Reading Zora Neale Hurston’s Jonah’s Gourd Vine.” Southern Quarterly: A Journal of the Arts in the South 49.1, 10-29.
Zipf, Karin. "The Zora Neale Hurston Plays at the Library of Congress." Journal of American History. 98: 3, 951-52.
"Zora Neale Hurston on Folksongs." American Mosaic: The African American Experience. 2-3, 2012. ABC-CLIO.
Zumwalt, R.L. "Native Speakers: Ella Deloria, Zora Neale Hurston, Jovita Gonzalez, and the Poetics of Culture." Journal of Southern History. 77: 3, 764-65.

2010

Akins, Adrienne. "’Just like Mister Jim’: Class Transformation from Cracker to Aristocrat in Hurston’s Seraph on the Suwanee. The Mississippi Quarterly. 63: 1-2, 31+.
Cotten, Trystan T. "Lost in Translation: Irony and Contradiction in Harpo’s Production of Zora Neale Hurston’s Their Eyes Were Watching God.” In Stories of Oprah: The Oprahfication of American Culture. Eds. Trystan T. Cotten and Kimberly Springer. Jackson, MS: UP of Mississippi, 2010. 161-78.
English, Parker. What We Say, Who We Are: Leopold Senghor, Zora Neale Hurston, and the Philosophy of Language. Lanham, MD: Lexington Books, 2010.
Huneycutt, Keith L. "’The Profound Silence of the Initiated’: Zora Neale Hurston’s Polk County, Dorothy Waring, and Stage Voodoo.” In Florida Studies: Proceedings of the 2009 Annual Meeting of the Florida College English Association. Ed. Claudia Slate and Carole Policy. Newcastle upon Tyne, England: Cambridge Scholars; 2010. 39-49.
Lillios, Anna. Crossing the Creek: The Literary Friendship of Zora Neale Hurston and Marjorie Kinnan Rawlings. Gainesville, FL: UP of Florida, 2010.
Regester, Charlene. "The Unconscious and Metaphors in Suzan-Lori Parks’s Screenplays of Girl 6 and Their Eyes Were Watching God.” In Suzan-Lori Parks: Essays on the Plays and Other Works. Ed. Philip C. Kolin. Jefferson, NC: McFarland; 2010. 169-180.
Williams, Susan Millar. “Zora Neale Hurston and Julia Peterkin in African Town.” Mississippi Quarterly 63.1, 291-98.

2009

Ashmawi, Yvonne Mesa-El. "Janie’s Tea-Cake: Sinner, Saint, or Merely Mortal?” Explicator 67: 3, 203-06.
Banks, Kimberly J. "Polyvocality and Performance in Mules and Men.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 131-46.
Bauer, Margaret D. "From Gilded Garden to Golden Anniversary: Teaching Hurston’s ’The Gilded Six-Bits.’” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 164-70.
Bealer, Tracy L. "Making Hurston’s Heroine Her Own: Love and Womanist Resistance in The Color Purple.” In Alice Walker’s The Color Purple. Eds. Kheven LaGrone and Michael J. Meyer. Amsterdam, Netherlands: Rodopi, 2009. 23-42, 306.
Binggeli, Elizabeth. "The Unadapted: Warner Bros. Reads Zora Neale Hurston.” Cinema Journal 48: 3, 1-15.
Blockett, Kimberly D. "Telling Tales in Dust Tracks on a Road: Hurston’s Portrait of an Artist.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 157-63.
Brown-Guillory, Elizabeth. "Africanisms in Hurston’s The First One, Color Struck, and Mule Bone.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 171-81.
Carpenter, Faedra Chatard. "Addressing ’The Complex’-ities of Skin Color: Intra-Racism and the Plays of Hurston, Kennedy, and Orlandersmith.” Theatre Topics 19: 1, 15-27.
Cappetti, Carla. "History, Mythology, and the Proletarian in Their Eyes Were Watching God.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 37-53.
Charles, John C. "Talk about the South: Unspeakable Things Unspoken in Zora Neale Hurston’s Seraph on the Suwanee.” The Mississippi Quarterly 62:1-2, 19.
Evans, Robert C. "Class and Complexity in Zora Neale Hurston’s ‘The Gilded Six-Bits.’” In A Class of Its Own: Re-Envisioning American Labor Fiction. Eds. Laura Hapke and Lisa A. Kirby. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 156-69.
Frydman, Jason. "Zora Neale Hurston, Biographical Criticism, and African Diasporic Vernacular Culture. MELUS 34: 4, 99.
Hall, James C. "Vehicles for Their Talents: Hurston and Wright in Conflict in the Undergraduate Literature Classroom.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 81-88.
Harris, Trudier. "Celebrating Bigamy and Other Outlaw Behaviors: Hurston, Reputation, and the Problems Inherent in Labeling Janie a Feminist.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 67-80.
Hicks, Scott. "Rethinking King Cotton: George W. Lee, Zora Neale Hurston, and Global/Local Revisions of the South and the Nation.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 65: 4, 63-91.
Humphries, David T. "Returning South: Reading Culture in James Agee’s Let Us Now Praise Famous Men and Zora Neale Hurston’s Mules and Men.” Southern Literary Journal 41: 2, 69-86.
James, Deborah. "Resistance, Rebirth, and Renewal in Zora Neale Hurston’s Their Eyes Were Watching God.” In Rebirth and Renewal. Ed. Harold Bloom. New York, NY: Bloom’s Literary Criticism, 2009. 229-38.
Jones, Carolyn M. "Freedom and Identity in Hurston’s Moses, Man of the Mountain.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 105-19.
Jones, Sharon L. Critical Companion to Zora Neale Hurston: A Literary Reference to Her Life and Work. New York: Facts On File, 2009.
Kam, Tanya Y. "Velvet Coats and Manicured Nails: The Body Speaks Resistance in Dust Tracks on a Road.” The Southern Literary Journal 42: 1, 73.
Lowe, John, ed. Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. New York: Modern Language Association of America, 2009.
Lowe, John. "Laughin’ Up a World: Humor and Identity in Their Eyes Were Watching God.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 54-66.
Lowe, John. "Materials.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 5-12.
Lowe, John. "Modes of Black Masculinity in Jonah’s Gourd Vine.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 93-104.
Miller, Monica L. “1955, August 11: Zora Neale Hurston Denounces Brown v. Board of Education: ‘The Self-Respect of My People.’” In A New Literary History of America. Eds. Greil Marcus and Werner Sollors. Cambridge, MA: Harvard UP, 2009. 852-856.
Plant, Deborah. "Politics of Self: Individualist Perspectives in Seraph on the Suwanee.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 120-30.
Shimkus, James. "The Habit of Sir Rabbit: Harris, Hurston, and Welty.” Eudora Welty Review 1: 107-13.
Stewart-Shaheed, K. Denea. "Re-Membering Blackness in the Neo-Slave Writings of Octavia Butler and Zora Neale Hurston.” In Reclaiming Home, Remembering Motherhood, Rewriting History: African American and Afro-Caribbean Women’s Literature in the Twentieth Century. Ed. Verena Theile and Marie Drews. Newcastle upon Tyne, England: Cambridge Scholars, 2009. 233-51.
Trefzer, Annette. "Between Mimesis and Mimicry: Teaching Hurston’s Tell My Horse.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 147-56.
West, Genevieve. "Teaching Their Eyes Were Watching God and the Process of Canon Formation.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 21-26.
Wilentz, Gay. "False Gods and ’Caucasian Characteristics for All’: Hurston’s Radical Vision in Their Eyes Were Watching God.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 27-36.
Williams, Dana A. "The Seams Must Show: Their Eyes Were Watching God as an Introduction to Deconstruction.” In Approaches to Teaching Hurston’s Their Eyes Were Watching God and Other Works. Ed. John Lowe. New York, NY: Modern Language Association of America, 2009. 89-92.

2008

Bryan, Violet Harrington. “‘I’m Watching God’: Modifications and Omissions in the Film Adaptation of Zora Neale Hurston’s Their Eyes Were Watching God.” Xavier Review 28.1, 26-39.
Cayer, Jennifer A. "’Roll Yo’ Hips - Don’t Roll Yo’ Eyes’: Angularity and Embodied Spectatorship in Zora Neale Hurston’s Play, Cold Keener. Theatre Journal 60: 1, 37-69.
Cole, Jean Lee, ed. Zora Neale Hurston: Collected Plays. New Brunswick, NJ: Rutgers UP, 2008.
Cotera, Maria Eugenia. Native Speakers: Ella Deloria, Zora Neale Hurston, Jovita González, and the Poetics of Culture. Austin, TX: U of Texas P, 2008.
Dilbeck, Keiko. "Symbolic Representation of Identity in Hurston’s Their Eyes Were Watching God.” Explicator 66: 2, 102-04.
Dubek, Laura. “‘[J]us’ Listenin’ tuh You’: Zora Neale Hurston’s Their Eyes Were Watching God and the Gospel Impulse.” Southern Literary Journal 41.1, 109-130.
Edwards, Erica R. "Moses, Monster of the Mountain: Gendered Violence in Black Leadership’s Gothic Tale.” Callaloo: A Journal of African Diaspora Arts and Letters 31: 4, 1084-1102.
Eisen, Kurt. "Theatrical Ethnography and Modernist Primitivism in Eugene O’Neill and Zora Neale Hurston.” South Central Review: The Journal of the South Central Modern Language Association 25: 1, 56-73.
Evans, Robert C. "Class and Complexity in Zora Neale Hurston’s ‘The Gilded Six-Bits.’” In A Class of Its Own: Re-Envisioning American Labor Fiction. Eds. Laura Hapke and Lisa A. Kirby. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 156-69.
Evans, Robert C. "Teaching Hurston’s ‘The Gilded Six-Bits.’” In A Class of Its Own: Re-Envisioning American Labor Fiction. Eds. Laura Hapke and Lisa A. Kirby. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 277-83.
Fischer-Hornung, Dorothea. "’Keep Alive the Powers of Africa’: Katherine Dunham, Zora Neale Hurston, Maya Deren, and the Circum-Caribbean Culture of Vodoun.” Atlantic Studies: Literary, Cultural, and Historical Perspectives 5: 3, 347-62.
Goldstein, Philip. New Directions in American Reception Study. Ed. Philip Goldstein and James L. Machor. Oxford, England: Oxford UP, 2008. 119-37.
Huneycutt, Keith L. "Lumber Mills, Phosphate Pits, and Phantom Land: Polk County, Florida as a Literary Setting.” In Florida Studies: Proceedings of the 2007 Annual Meeting of the Florida College English Association. Eds. Claudia Slate and Keith Huneycutt. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 191-200.
Kasper, Valerie E. "Zora Neale Hurston and the Hurricane of 1928.” In Florida Studies: Proceedings of the 2007 Annual Meeting of the Florida College English Association. Eds. Claudia Slate and Keith Huneycutt. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 201-17.
King, Lovalerie. The Cambridge Introduction to Zora Neal Hurston. Cambridge, UK: Cambridge UP, 2008.
Knapp, Steven. "Zora Neale Hurston: Finding the Meaning of Home in a Florida Author’s Life.” In Florida Studies: Proceedings of the 2007 Annual Meeting of the Florida College English Association. Eds. Claudia Slate and Keith Huneycutt. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 45-57.
Kraut, Anthea. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis, MN: U of Minnesota P, 2008.
Krouse-Dismukes, Ondra. Cultural Memory in Zora Neale Hurston’s Mules and Men. In The Funk Era and Beyond: New Perspectives on Black Popular Culture. Eds. Tony Bolden and Mark Anthony Neal. New York, NY: Palgrave Macmillan, 2008. 193-209.
Mallonee, Sarah M. "’The Dream is the Truth’: Remembering My Life with Zora Neale Hurston.” In Florida Studies: Proceedings of the 2007 Annual Meeting of the Florida College English Association. Eds. Claudia Slate and Keith Huneycutt. Newcastle upon Tyne, England: Cambridge Scholars, 2008. 59-64.
Nitta, Keiko. "Zora Neale Hurston, Selections from Negro (1934).” Eigo Seinen/Rising Generation 154: 8, 454-57.
Schweighauser, Philipp. "The Noises of Modernist Form: John Dos Passos’s Manhattan Transfer, Zora Neale Hurston’s Their Eyes Were Watching God, and the Soundscapes of Modernity.” In American Studies as Media Studies. Eds. Frank Kelleter and Daniel Stein. Heidelberg, Germany: Universitätsverlag, Winter 2008. 47-55.
Szabó, Péter Gaál. "Cultural Space as a Modernist Non-Place in Zora Neale Hurston’s Jonah’s Gourd Vine. Gender Studies 1: 7, 17-37.

2007

Bernard, Patrick S. "The Cognitive Construction of the Self in Hurston’s Their Eyes Were Watching God.” CLC Web: Comparative Literature and Culture 9: 2.
Bone, Martyn. "The (Extended) South of Black Folk: Intraregional and Transnational Migrant Labor in Jonah’s Gourd Vine and Their Eyes Were Watching God. American Literature: A Journal of Literary History, Criticism, and Bibliography 79: 4, 753-79.
Davis, Doris. "’De Talkin’ Game’: The Creation of Psychic Space in Selected Short Fiction of Zora Neale Hurston.” Tulsa Studies in Women’s Literature 26: 2, 269-286.
English, Parker. "Performative Speech Acts, ethnography and fiction." Journal of Pragmatics: An Interdisciplinary Journal of Language Studies 39: 9, 1624-37.
Fisher, Susan Alice. "’A Glance from God’: Zadie Smith’s On Beauty and Zora Neale Hurston.” Changing English: Studies in Culture and Education, 14: 3, 285-97.
Guttman, Sondra. "’No Tomorrow in the Man’: Uncovering the Great Depression in Their Eyes Were Watching God.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 63: 3, 91-117.
Heard, Matthew. ”’Dancing Is Dancing No Matter Who Is Doing It’: Zora Neale Hurston, Literacy, and Contemporary Writing Pedagogy.” College Literature 34: 1, 129-55.
Heglar, Charles J. "Literary Portraits of Zora Neale Hurston and the Forgotten Image of Laura Burroughs in Bucklin Moon’s Without Magnolias.” CLA Journal 50: 4, 379-94.
Hood, Judy. "Born with a Skillet in Her Hands.” Southern Quarterly: A Journal of the Arts in the South 44: 2, 74-87.
Kaplan, Carla. “Zora Neale Hurston, Folk Performance, and the ‘Margarine Negro.’” In The Cambridge Companion to The Harlem Renaissance. Ed. George Hutchinson. 213-235 Cambridge, England: Cambridge UP, 213-235.
McKnight, Maureen. "Discerning Nostalgia in Zora Neale Hurston’s Their Eyes Were Watching God.” Southern Quarterly: A Journal of the Arts in the South 44: 4, 83-115.
Noyes, Roger L. “The Poetics of Rhetorical Transformation in Charles Chesnutt and Zora Neale Hurston.” Obsidian III: Literature in the African Diaspora 8.1, 92-126.
Park, Jungman. "Survival-Comedy Dynamics: The Performativity of Verbal Contestation in Hurston’s ‘De Turkey and de Law.’” Journal of Modern British and American Drama 20: 1, 31-60.
Plant, Deborah G. Zora Neal Hurston: A Biography of the Spirit. Westport, CT: Praeger Publishers, 2007.
Ryan, Barbara. "’Rubbed and Polished’: Reflecting on Zora Neale Hurston’s ‘The Conscience of the Court.’” American Literature: A Journal of Literary History, Criticism, and Bibliography 79: 3, 553-75.

2006

Baldwin-Philippi, Jessica. In The Image of Power in Literature, Media, and Society: Selected Papers, 2006 Conference, Society for the Interdisciplinary Study of Social Imagery. Ed. Will Wright and Steven Kaplan. Pueblo, CO: Society for the Interdisciplinary Study of Social Imagery, Colorado State University-Pueblo, 2006, 297-300.
Burstrem, Jessica B. "The Reclamation of Zora Neale Hurston’s Seraph on the Suwanee.” In Florida Studies Proceedings of the 2005 Annual Meeting of the Florida College English Association. Ed. Steve Glassman, Karen Tolchin, and Steve Brahlek. Newcastle upon Tyne, England: Cambridge Scholars, 175-94.
Cartwright, Keith. "’To Walk with the Storm’: Oya as the Tranformative ‘I’ of Zora Neale Hurston’s Afro-Atlantic Callings.” American Literature: A Journal of Literary History, Criticism, and Bibliography 78:4, 741-67.
Davis, Cynthia. "The Landscape of the Text: Locating Zora Neale Hurston in the Ecocritical Canon.” In Florida Studies Proceedings of the 2005 Annual Meeting of the Florida College English Association. Ed. Steve Glassman, Karen Tolchin, and Steve Brahlek. Newcastle upon Tyne, England: Cambridge Scholars, 149-56.
Diamond, Elin. "Deploying/Destroying the Primitivist Body in Hurston and Brecht.” In Against Theatre: Creative Destructions on the Modernist Stage. Ed. Alan L. Ackerman and Martin Puchner. New York, NY: Palgrave Macmillan, 2006, 112-32.
Frever, Trinna S. "’Mah Story Ends,’ or Does It? Orality in Zora Neale Hurston’s ‘The Eatonville Anthology.’” Journal of the Short Story in English 47, 75-86.
Fulmer, Jacqueline. Folk Women and Indirection in Morrison, Ní Dhuibhne, Hurston, and Lavin. Burlington, VT: Ashgate, 2007.
Hawkins, Lynn. "Zora in Hot Water-On and Off the Houseboat.” In Florida Studies Proceedings of the 2005 Annual Meeting of the Florida College English Association. Ed. Steve Glassman, Karen Tolchin, and Steve Brahlek. Newcastle upon Tyne, England: Cambridge Scholars, 143-48.
Jirousek, Lori. "Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska.” Journal of Modern Literature 29: 2, 19-32.
Kaylor, Noel Harold. "Metaphors of Conflict in Zora Neale Hurston’s Their Eyes Were Watching God.” Conflict in Southern Writing. Ed. Ben P. Robertson. Troy, AL: Association for Textual Study and Production, with Troy University, 2006, 93-99.
Krasner, David. "’Something’s Going on Down Here That Concerns Me’: Johnson, Hurston, Bonner, and Hansberry.” In Contemporary African American Women Playwrights. Ed. Philip C. Kolin. London, England: Routledge, 9-27.
Ladd, Barbara. Resisting History: Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty. Baton Rouge, LA: Louisiana State UP, 2007.
Park, Jungman. "From the Imagined to the Real: Zora Neale Hurston’s ‘Committing to the Folk Strategy and Its Effect in ‘Color Struck.’” Journal of Modern British and American Drama 19: 2, 5-37.
Park, Jungman. ”Imagined Africa: Zora Neale Hurston’s Searching for the Root of Black Identity in ‘Spears.’” Journal of Modern British and American Drama 19: 1, 173-201.
Shimkus, James. "The Habit of Sir Rabbit: Harris, Hurston, and Welty.” Eudora Welty Newsletter 30: 2, 6-9.
Spencer, Stephen. "Racial Politics and the Literary Reception of Zora Neale Hurston’s Their Eyes Were Watching God." In Multiethnic Literature and Canon Debates. Ed. Mary Jo Bona and Irma Maini. Albany, NY: State U of New York P, 2006, 111-26.
Toland-Dix, Shirley. "’This Is the Horse. Will You Ride? Zora Neale Hurston, Erna Brodber, and Rituals of Spirit Possession.” In Just Below South: Intercultural Performance in the Caribbean and the U.S. South. Ed. Jessica Adams, Michael P. Bibler, and Cécile Accilien. Charlottesville, VA: U of Virginia P, 191-210.
Turner, Richard Brent. "The Haiti-New Orleans Vodou Connection: Zora Neale Hurston as Initiate-Observer.” In Vodou in Haitian Life and Culture: Invisible Powers. Ed. Claudine Michel and Patrick Bellegarde-Smith. New York: Palgrave, 2006, 117-34.
Valkeakari, Tuire. In Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present. Ed. Janet Badia and Jennifer Phegley. Toronto, ON: U of Toronto P, 2006, 192-214.
Warnes, Andrew. "Guantánamo, Eatonville, Accompong: Barbecue and the Diaspora in the Writings of Zora Neale Hurston.” Journal of American Studies 40: 2, 367-89.

2005

Boyd, Valerie. "Enter the Negrotarians.” Scholar and Feminist Online 3: 2, 5 pages.
duCille, Ann. "The Mark of Zora: Reading Between the Lines of Legend and Legacy.” Scholar and Feminist Online 3:2, 7 pages.
Emery, Amy Fass. "The Zombie In/As the Text: Zora Neale Hurston’s Tell My Horse.” African American Review 39:3, 327-36.
Hoffman-Jeep, Lynda. "Creating Ethnography: Zora Neale Hurston and Lydia Cabrera.” African American Review 39:3, 337-53.
Kanthak, John F. "Legacy of Dysfunction: Family Systems in Zora Neale Hurston’s Jonah’s Gourd Vine.” Journal of Modern Literature 28: 2, 113-29.
Kaplan, Carla. "Editing an Icon.” Scholar and Feminist Online 3: 2, 7 pages.
Krasner, David. "Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance.” Scholar and Feminist Online 3: 2, n.p.
Kraut, Anthea. "Everybody’s Fire Dance: Zora Neale Hurston and American Dance History.” Scholar and Feminist Online 3: 2, 5 pages
Millan, Sally. "Janie’s Journey: Zora Neale Hurston’s Framework for an Alternative Quest.” Southern Studies: An Interdisciplinary Journal of the South. 12:1-2, 79-94.
Miller, Monica L. "Introduction.” Scholar and Feminist Online 3: 2, n.p.
Patterson, Tiffany Ruby. Zora Neale Hurston and a History of Southern Life Philadelphia: Temple UP.
Sorensen, Leif. "Modernity on a Global Stage: Hurston’s Alternative Modernism.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States. 30: 4, 3-24.
Walker, Alice. "Finding a World that I Thought was Lost: Zora Neale Hurston and the People She Looked at Very Hard and Loved Very Much.” Scholar and Feminist Online 3; 2, n.p.
Wall, Cheryl A. "Zora Neale Hurston’s Essays: On Art and Such.” Scholar and Feminist Online 3:2, 6 pages.
Weathers, Glenda B. "Biblical Trees, Biblical Deliverance: Literary Landscapes of Zora Hurston and Toni Morrison.” African American Review 39: 1-2, 201-12.
West, M. Genevieve. Zora Neale Hurston and American Literary Culture Gainesville: U of Florida Press.

2004

Brantley, Will. "Zora Neale Hurston." Ed. Richard Gray and Owen Robinson. A Companion to the Literature and Culture of the American South. Malden, MA: Blackwell, 472–85.
Duck, Anne Leigh. "’Rebirth of a Nation’: Hurston in Haiti." Journal of American Folklore 117: 464, 127–46.
Gourdine, Angeletta KM. "Colored Readings; or, Interpretation and Raciogendered Body." Ed. Patrocinio P. Schweickart and Elizabeth A. Flynn. Reading Sites: Social Difference and Reader Response.New York: Modern Language Association of America, 60–82.
Grant, A.J. and Connie Ruzich. "A Rhetoric of Roads: Their Eyes Were Watching God as Pastoral." Interdisciplinary Literary Studies: A Journal of Criticism and Theory 5:2, 16–28.
Grant, Nathan. Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity. Columbia: U of Missouri P.
Haas, Robert. "The Story of Louis Pasteur and the Making of Zora Neale Hurston’s Their Eyes Were Watching God: A Famous Film Influencing a Famous Novel?." Literature/Film Quarterly 32:1, 12–19.
Hagood, Taylor. "Ah Ain’t Got Nobody: Southern Identity and Signifying on Dialect in Hurston and Faulkner." Publications of the Mississippi Philological Association, 45–53.
Hathaway, Rosemary V. "The Unbearable Weight of Authenticity: Zora Neale Hurston’s Their Eyes Were Watching God and a Theory of ’Touristic Reading." Journal of American Folklore 117: 464, 168–90.
King Lovalerie. "African American Womanism: From Zora Neale Hurston to Alice Walker." Ed. Maryemma Graham. The Cambridge Companion to the African American Novel. Cambridge, England: Cambridge UP, 233–52.
Kraut, Anthea. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis, MN: U of Minnesota P; 2008.
Lauden, John. "Reading Hurston Writing." African American Review 38:1, 45–60.
Miller, Shawn E. "’Some Other Ways to Try’: From Defiance to Creative Submission in Their Eyes Were Watching God." Southern Literary Journal 37:1, 74–95.
Pavlic, Edward M. "’Papa Legba, Ouvrier Barriere Pour Moi Passer’: Esu in Their Eyes & Zora Neale Hurston’s Diasporic Modernism." African American Review 38:1, 61–85.
Szabo, Peter Gaal. "The Ambivalence of Zora Neale Hurston’s Imaginative Space." B.A.S. British and American Studies/Revista de Studii Britanice si Americane 10, 187–95.
Warnes, Andrew. Hunger Overcome?: Food and Resistance in Twentieth–Century African American Literature. Athens, GA: U of Georgia P.
Williams, Kimmika L. H. "Ties That Bind: A Comparative Analysis of Zora Neale Hurston’s and Geneva Smitherman’s Work." Ed. Elaine B. Richardson, et al. African American Rhetoric(s): Interdisciplinary Perspectives. Carbondale, IL: Southern Illinois UP, 86–107.

2003

Andersen, Corinne. "’I Dance Wildly inside Myself’: Music as Metaphor for Transculturation in Zora Neale Hurston’s Autoethnographic Oeuvre." Ed. Michel Delville and Christine Pagnoulle. Sound as Sense: Contemporary U.S. Poetry &/in Music. New Comparative Poetics/Nouvele Poetique Comparatiste 11. Brussels, Belgium: Peter Lang, 45–58.
Deffenbacher, Kristina. "Woolf, Hurston, and the House of Self." Ed. Jo Malin and Victoria Boynton. Herspace: Women, Writing, and Solitude. New York: Haworth, 105–21.
Henninger, Katherine. "Zora Neale Hurston, Richard Wright, and the Postcolonial Gaze." Mississippi Quarterly: The Journal of Southern Cultures 56:4, 581–95.
Jordan, Edwina and Jen Richrath. "The Restless Souls of Zora Neale Hurston and John Steinbeck." English Record 53:3, 22–30.
Korobkin, Laura H. "Legal Narratives of Self–Defense and Self–Effacement in Their Eyes Were Watching God." Studies in American Fiction 31:1, 3–28.
Kraut, Anthea. "Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham." Theatre Journal 55:3, 433–50.
Marquis Margaret. "’When de Notion Strikes Me’: Body Image, Food, and Desire in Their Eyes Were Watching God." Southern Literary Journal 35:2, 79–88.
McCann, Sean. “The Cruelty of Zora Neale Hurston.” Common Review: The Magazine of the Great Books Foundation 2:3, 6-15.
Newell, Carol E. "Folk Culture in Women’s Narratives: Literary Strategies for Diversity in Nationalist Climates." Mississippi Quarterly: The Journal of Southern Cultures, 57:1, 123–34.
Newman, Judie. "’Dis Ain’t Gimme, Florida’: Zora Neale Hurston’s Their Eyes Were Watching God." Modern Language Review 98:4, 817–26.
Plant, Deborah G. "The Benedict–Hurston Connection." CLA Journal 46:4, 435–56.
Rooney, Monique. "My You: Fannie Hurst, Zora Neale Hurston and Literary Patronage."Working Papers on the Web 5 [no pagination].
Sato, Hiroko. "Zora Neale Hurston to no deai." Eigo Seinen/Rising Generation 149:8, 479.
Warren, Nagueyalti. "Echoing Zora: Ansa’s Other Hand in The Hand I Fan With." CLA Journal 46:3, 362–82.
Wilson, Anthony. "The Music of God, Man, and Beast: Spirituality and Modernity in Jonah’s Gourd Vine." Southern Literary Journal 35:2, 64–78.

2002

Barr, Tina. "’Queen of the Niggerati’ and the Nile: The Isis–Osiris Myth in Zora Neale Hurston’s Their Eyes Were Watching God." Journal of Modern Literature 25: 3–4, 101–13.
Bass, Holly. "Better Late Than Never: After 60 Years, Zora Neale Hurston’s Flavorful Polk County Comes to Life." American Theatre 19:6, 50–52.
Carr, Brian and Tova Cooper. "Zora Neale Hurston and Modernism at the Critical Limit." Modern Fiction Studies 48:2, 285–313.
Croft, Robert W. A Zora Neale Hurston Companion. Gainesville, FL: UP of Florida.
Disheroon–Green, Suzanne. "Bleaching the Color Line: Caste Structures in Lyle Saxon’s Children of Strangers and Zora Neale Hurston’s Their Eyes Were Watching God." Ed. Suzanne Disheroon–Green, Lisa Abney, and Robin Miller. Songs of Reconstructing South: Building Literary Louisiana, 1865–1945. Westport, CT: Greenwood, 109–21.
Ellis, Juniper. "Enacting Culture: Zora Neale Hurston, Joel Chandler Harris, and Literary Anthropology." Ed. C. James Trotman. Multiculturalism: Roots and Realities. Bloomington, IN: Indiana UP, 155–69.
Joseph, Philip. "The Verdict from the Porch: Zora Neale Hurston and Reparative Justice." American Literature: A Journal of Literary History, Criticism, and Bibliography 74:3, 455–83.
Kaplan, Carla. Zora Neale Hurston: A Life in Letters. New York: Doubleday.
Konzett, Delia Caparoso. Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Ryhs, and the Aesthetics of Dislocation. New York: Palgrave Macmillan.
Konzett, Delia Caparoso. "’Getting in Touch with the True South’: Pet negroes, White Crackers, and Racial Staging in Zora Neale Hurston’s Seraph on the Suwanee. Ed. Samina Najmi, Rajini Srikanth, and Elizabeth Ammons. White Women in Racialized Spaces: Imaginative Transformation and ethical Action in Literature. Albany, NY: State U of New York P, 131–46.
Lewis, Nghana. "’We Must Speak with the Same Weapons’: Re–Inscribing Resistance in Zora Neale Hurston’s Dust Tracks on a Road." CLA Journal 45:3, 311–28.
Lowe, John. "’Let the People Sing!’ Zora Neale Hurston and the Dream of a Negro Theater." Ed. Robert L. McDondald and Linda Rohrer Paige. Southern Women Playwrights: New Essays in Literary History and Criticism. Tuscaloosa, AL: U of Alabama, 11–26.
Lowe, John. "Zora Neale Hurston." Ed. Carolyn Perry, Mary Louise Weaks, and Doris Betts. The History of Southern Women’s Literature. Baton Rouge: Louisiana State UP, 379–85.
Manning, Carol S. "Hurston and Welty, Janie and Livvie." Southern Literary Journal 34:2, 64–72.
Powers, Peter Kerry. "Gods of Physical Violence, Stopping at Nothing: Masculinity, Religion, and Art in the Work of Zora Neale Hurston." Religion and American Culture 12:2, 229–47.
"The Queen of the Harlem Renaissance: Her Works Were Lost, but Not Forever." Journal of Blacks in Higher Education 37, 52–53.
Reiger, Christopher. "The Working–Class Pastoral of Zora Neale Hurston’s Seraph on the Suwanee." Mississippi Quarterly: The Journal of Southern Cultures 56:1, 105–24.
Renfroe, Alicia M. "Interrogations of Justice in Zora Neale Hurston’s Their Eyes Were Watching God." Cycnos 19:2, 213–24.
Roberts, Brian R. " Predators in the ’Glades: A Signifying Animal Tale in Zora Neale Hurston’s Their Eyes Were Watching God." Southern Quarterly: A Journal of the Arts in the South 41:1, 39–50.
Sample, Maxine. "Zora Neale Hurston (1891–1960)." Ed. Emmanuel S. Nelson. African American Biographers: A Sourcebook. Westport, CT: Greenwood, 208–19.
Schroeder, Patricia. "Rootwork: Arthur Flowers, Zora Neale Hurston, and the ’Literary Hoodoo’ Tradition." African American Review 36:2, 263–72.
Simmons, Ryan. "’The Hierarchy Itself’: Hurston’s Their Eyes Were Watching God and the Sacrifice of Narrative Authority." African American Rreview 36:2, 181–93.
West, Genevieve. "Feminist Subversion in Zora Neale Hurston’s Jonah’s Gourd Vine." Women’s Studies: An Interdisciplinary Journal 31:4, 499–515.

2001

Burrows, Stuart. "’You Heard Her, You Ain’t Blind’: Seeing What’s Said in Their Eyes Were Watching God." Novel: A Forum on Fiction 34:3, 434–52.
Campbell, Josie P. Student Companion to Zora Neale Hurston. Westport, CT: Greenwood.
Champion, Laurie. "Socioeconomics in Selected Short Stories of Zora Neale Hurston." Southern Quarterly: A Journal of the Arts in the South 40:1, 79–92.
Clarke, Deborah. "’The Porch Couldn’t Talk for Looking’: Voice and Vision in Their Eyes Were Watching God."African American Review 35:4, 599–613.
Duck, Leigh Anne. "’Go There Tuh Knmow there’: Zora Neale Hurston and The Chronotype of The Folk." American Literary History 13:2, 265–94.
Gibson, Gloria J. "Cinematic Foremothers: Zora Neale Hurston and Eloyce king Patrick Gist." Ed. Pearl Bowser, Jane Gaines, and Charles Musser. Oscar Micheaux and His Circle: African–American Filmmaking and Race Cinema of the Silent Era. Bloomington, IN: Indiana UP, 195–209.
Haddox, Thomas F. "The Logic of Expenditure in Their Eyes Were Watching God." Mosaic: A Journal for the Interdisciplinary Study of Literature 34:1, 19–34.
Hoefel, Roseanne. "’Different by Degree’: Ella Cara Deloria, Zora Neale Hurston, and Frank Boas Contend with Race and Ethnicity." American Indian Quarterly 25:2, 181–202.
Kaplan, Carla. "’Talk to Me’: Talk Ethics and Erotics." Ed. S. I. Salamensky. Talk, Talk, Talk: The Cultural Life of Everyday Conversation. New York: Routledge, 63–75.
Kehl, D. H. "Kenosis of Biblical texts: Method and Meaning in Zora Neale Hurston’s Their Eyes Were Watching God." MAWA Review 16:1–2, 40–51.
Kim, Aeju. "[The Politics of Hurston’s Writing: Their Eyes Were Watching God]." Studies in Modern Fiction 8:2, 65–86.
Krasner, David. "Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance." Theatre Journal 53:4, 533–50.
Kraut, Anthea. "Re–Scripting Origins: Zora Neale Hurston’s Staging of Black Vernacular Dance." Ed. Dorothea Fischer–Hornung and Alison D. Goeller, et al. EmBODYing Liberation: The Black Body in American Dance. FORECAST: Forum for European Contributions to African American Studies 4 Munster, Germany: LIT, 59–77.
Levy, Valerie. "’That Florida Flavor’: Nature and Culture in Zora Neale Hurston’s Work for the Federal Writer’s Project. Ed. Thomas S. Edwards, Elizabeth A. De Wolfe, and Vera Norwood. Such News of the Land: U.S. Women nature Writers. Hanover, NH: UP of New England, 85–94.
Manuel, Carme. "Mule Bone: Langston Hughes and Zora Neale Hurston’s Dream Deferred of an African–American Theatre of the Black Word." African American Review 35:1, 77–92.
Meehan, Kevin. "Decolonizing Ethnography: Zora Neale Hurston in the Caribbean." Ed. Lizabeth Paravisini and Ivette Romero–Cesareo. Women at Sea: travel Writing and the Margins of Caribbean Discourse. New York: Palgrave, 245–79.
Menke, Pamela Glenn. "’Black cat Bone and Snake Wisdom’: New Orleanian Hoodoo, Haitian Voodoo, and Rereading Hurston’s Their Eyes Were Watching God." Ed. Suzanne Disheroon Green, Lisa Abney, and Moira Crone. Songs of the New South: Writing Contemporary Louisiana. Westport, CT: Greenwood, 123–39.
Oxindine, Annette. "Pear Trees beyond Eden: Women’s Knowing Reconfigured in Woolf’s To the Lighthouse and Hurston’s Their Eyes Were Watching God." Ed. Beth Rigel Daugherty and Mary Beth Pringle. Approaches to Teaching Woolf’s To the Lighthouse. New York: Modern Language Association of America, 163–68.
Raynaud, Claudine. "’A Basin in the Mind’: Language in Their Eyes Were Watching God." Ed. Genevieve Fabre and Michel Feith. Temples for Tomorrow: Looking Back at the Harlem Renaissance. Bloomington, IN: Indiana UP, 222–35.
Roark, Chris. "Hurston’s Hamlet: ’My Own Bathtub Singing’." CLA Journal 44:3, 317–40.
Wolter, Jurgen C. "From History to Communal Narrative: The Merging of Cultural Paradigms in Their Eyes Were Watching God." Amerikastudien/American Studies 46:2, 233–48.

2000

Abdallah, Ayana Rehema. "Privileged Identity: Representation of Subjectivity in Their Eyes Were Watching God." Lesley Marx, Loes Nas, and Chandre Carstens. Juxtapositions: The Harlem Renaissance and the Lost Generation. Cape Town, South Africa: University of Cape Town, 127–35.
Champion, Laurie and Bruce A. Glasrud. "Zora Neale Hurston (1891–1960)." Ed. Emmanuel S. Nelson. African American Authors, 1745–1945: A Bio–Bibliographical Critical Sourcebook. Westport, CT: Greenwood, 259–69.
Ciuba, Gary. "The Worm against the Word: The Hermeneutical Challenge in Hurston’s Jonah’s Gourd Vine." African American Review 34:1, 119–33.
Cutchins, Dennis. "Sugar Cane and Sugar Beets: Two Tales of Burning Love." Studies in American Indian Literatures: The Journal of the Association for the Study of American Indian Literatures 12:2, 1–12.
Fischer-Hornung, Dorothea. "An Island Occupied: The U.S. Marine Occupation of Haiti in Zora Neale Hurston’s Tell My Horse and Katherine Dunhams’s Island Possessed." Ed. Dorothea Fischer–Hornung and Heike Raphael–Hernandez. Holding Their Own: Perspectives on Multi–Ethnic Literatures of the United States. ZAA Studies: Language Literature Culture 10. Tubingen, Germany: Stauffenburg, 153–68.
Ford, Sarah. "Necessary Chaos in Hurston’s Their Eyes Were Watching God." CLA Journal 43:4, 407–19.
Garner, Lori Ann. "Representations of Speech in the WPA Slave Narratives of Florida and the Writings of Zora Neale Hurston." Western Folklore 59: 3–4, 215–31.
Glasrud, Bruce A. and Laurie Champion. "Zora Neale Hurston (1891–1960)." Ed. Laurie Champion. American Women Writers, 1900–1945: A Bio–Bibliographical Critical Sourcebook. Westport, CT: Greenwood, 162–72.
Haas, Robert. "Might Zora Neale Hurston’s Janie Woods Be Dying of Rabies? Considerations from Historical Medicine." Literature and Medicine 19:2, 205–28.
Hughes, Shiela Hassell. "Tongue–Tied: Rhetoric and Relation in Louise Erdrich’s Tracks. MELUS 25:3–4, 87–116.
Jackson, Chuck. "Waste and Whiteness: Zora Neale Hurston and the Politics of Eugenics." African American Review 34:4, 639–60.
Kadlec, David. "Zora Neale Hurston and the Federal Folk." Modernism/Modernity 7:3, 471–85.
Lamothe, Daphne. "Vodou Imagery, African–American tradition and Cultural Transformation in Zora Neale Hurston’s Their Eyes Were Watching God." Callaloo: A Journal of African–American and African Arts and Letters 22:1, 157–75.
Lawrence, David Todd. "Folkloric Representation and Extended Context in the Experimental Ethnography of Zora Neale Hurston." Southern Folklore 57:2, 119–34.
Meisenhelder, Susan. "False Gods and Black Goddesses in Naylor’s Mama Day and Hurston’s Their Eyes Were Watching God." Callaloo: A Journal of African–American and African Arts and Letters 23:4 (Fall), 1440–48.
Menefee, Samuel Pyeatt. " Zora Neale Hurston (1891–1960)." Ed. Carmen Blacker and Hilda Ellis Davidson. Women and Tradition: A Neglected Group of Folklorists. Durham, NC: Carolina Academic, 157–72.
Olson, Kirby. "Surrealism, Haiti, and Zora Neale Hurston’s Their Eyes Were Watching God." Real: The Journal of Liberal Arts 25:2, 80–93.
Pavlic, Edward. "’Come on in My Kitcjen’: Asymmetry, Angularity, and Incremental Repetition in Zora Neale Hurston’s Diasporic Modernism." Xcp: Cross–Cultural Poetics 6, 10–19.
Pavloska, Susanna. Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston. New York: Garland.
Rowe, John Carlos. "Opening the Gate to the Other America: The Afro–Caribbean Politics of Zora Neale Hurston’s Mules and Men and Tell My Horse." Ed. Utz Riese and Doris Dziwas. Kontaktzone Amerika: Literarische Verkehrsformen Kultureller Ubersetzung. Anglistische Forschungen 282. Heidelberg, Germany: Carl Winter Universitatsverlag, 109–56.
Tae, Heasook. ""[The Body in Black Women’s Literature: Their Eyes Were Watching God and Sula]." Journal of English Language and Literature/Yongo Yongmunhak 46:1, 243–63.
Townsend, Rosemary. "The Writing of Their Lives: A Comparative Exploration of Two Women Writers." Lesley Marx, Loes Nas, and Chandre Carstens. Juxtapositions: The Harlem Renaissance and the Lost Generation. Cape Town, South Africa: U of Cape Town, 136–47.
Trefzer, Annette. "Possessing the Self: Caribbean Identities in Zora Neale Hurston’s Tell My Horse." African American Review 34:2, 299–312.
Ward, Cynthia. "From the Suwanee to Egypt, there’s No Place Like Home." PMLA: Publications of the Modern Language Association 115:1, 75–88.
Watson, Reginald. "Mulatto as Object in Zora Neale Hurston’s Their Eyes Were Watching God and John O. Killen’s The Cotillion." CLA Journal 43:4, 383–406.
West, Genevieve. "’Looking for Zora’: An Addendum." Analytical & Enumerative Bibliography 11:4, 303–09.
West, Genevieve. "’Looking for Zora’" A Calendar of Correspondence." Analytical & Enumerative Bibliography 11:2, 124–78.

1998

Tangum, Marion M. and Marjorie Smelstor. “Hurston’s and Angelou’s Visual Art: The Distancing Vision and the Beckoning Gaze.” Southern Literary Journal 31: 1, 80+. 18p.

1997

Anievas Gamallo, Isabel C. “Zora Neale Hurston, Maya Angelou y Jill Nelson: Identidad, mestizaje cultural y experiencia postcolonial en la autobiografia femenina afroamericana.” In Letras en el espejo, II: Ensayos de literatura americana comparada. Eds. Maria José Alvarez Maurin, Manuel Broncano, José Luis Chamosa. León, Spain: Universidad de León, 1997. 9-22.

1992

O’Connor, Mary. “Zora Neale Hurston and Talking Between Cultures.” Canadian Review of American Studies 22, Special Issue, Part I, 141-61.
Raynaud, Claudine. “Censure éditoriale et autocensure dans l’autobiographie de Zora Neale Hurston.” Cycnos 9, 89-102.

1990

Fox-Genovese, Elizabeth. “Myth and History: Discourse of Origins in Zora Neale Hurston and Maya Angelou.” Black American Literature Forum 24, 221-235.